All posts by 8-Rock

1001 Black Men–#590

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I teach at Mills College, an impressively diverse institution by any measure. Still, even the full student body cannot measure up to the diversity on campus during the days leading up to the beginning of the school year. Despite the class, race, gender, and age diversity that they bring to the campus, all of the students have one thing in common–they are all enrolled in college. During the weekend before the fall semester begins, the campus is buzzing with parents, spouses, partners, children, grandparents, and friends, all of whose experiences cover an even broader range of experiences and backgrounds than those of the loved ones they’ve come to drop off.

The man in this drawing was the first to emerge from a car full of women, one of whom was about to enter her first year of college. Between asking me for directions and making sure the student in question was carrying the paperwork she needed, it took the rest of the people in the car a few additional minutes to get out. Through all of this, the man in this drawing seemed content to wait quietly, and he stood beside the vehicle, gazing at the scenery and striking this memorable pose.

Ajuan Mance

1001 Black Men–#588

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San Diego Comic-Con 2013

For the last of my Comic-Con 2013 portraits, I’m including this drawing of Allen Thomas. I can’t remember what panel we were in when I spotted him, but I loved his bunny hat so much that I had to draw him. Actually, I’m pretty sure this isn’t a bunny hat. It’s probably meant to resemble the ears of some well-recognized cartoon creature. Alas, I am so out of it when it comes to the cute animal/alien genre of comic media that I couldn’t begin to guess who that creature might be. At the end of the panel I showed Allen my drawing, and he was nice enough to give me his name and email address. Thanks Allen! You were a great model.

Ajuan Mance

1001 Black Men–#587

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I wish I’d taken the time to get this brother’s name. He was the videographer for the Hip-Hop and Comics panel discussion at SDCC 2013. Oddly (and, then again, not so oddly), people of African descent were dramatically underrepresented. For me, the highlight of the event was seeing Del tha Funkee Homosapien, the one rapper on the panel. Ironically, the guy who makes his money with his words and his wit had less to say than most of his fellow presenters. Perhaps he believes that his lyrics pretty much speak for themselves. Here’s one of my favorites, from his frequently quoted track, “At the Helm.” (I’ve done a minor “radio edit” to keep it PG-rated.):

Rap ain’t about bustin caps and [gettin’ chicks]
It’s about fluency with rhymin ingenuity
All of this is new to me, see I peep rhymes
with scrutiny, under a microscope I walk a tightrope
A thin line between insanity and sanity
mixed with a little vanity, boostin the morality
with Hiero hospitality, soon to strike it: rich
like calories, salaries, ahh sounds like a plan …

–Del tha Funkee Homosapien, “At the Helm

Ajuan Mance

1001 Black Men–#586

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Joe’s Crab Shack, Mission Valley, San Diego, CA.

***

As Tupac Shakur once famously said to me, “There is no place called careful.” On the one hand, Tupac was right: There is not much room for error in America if you are a Black male in a society ostensibly bent on profiling your every move, eager to capitalize on your falling into this or that trap, particularly keen to swoop down on your self-inflicted mishaps. But by the same token, Tupac was wrong: There can be a place called careful, once one becomes aware of the world one lives in, its potential, its limitations, and if one is willing to struggle to create a new model, some new and alternative space outside and away from the larger universe, where one can be free enough to comprehend that even if the world seems aligned against you, you do not have to give the world the rope to hang you with.”

Kevin Powell in Who’s Gonna Take the Weight: Manhood, Race, and Power in America

Posted by Ajuan Mance

1001 Black Men–#585

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Here’s another entry from my Comic-Con 2013 sketchbook. I spotted this guy in the exhibition hall where he was staring intently at a small but impressively-detailed statue of Boba Fett. You may remember Boba Fett as the bounty hunter from the original Star Wars trilogy. Like a lot of Star Wars fans, my brother thinks Boba Fett is pretty awesome. Seeing the man in this drawing made me think of my brother who, when asked why he liked this character so much, replied, in his typical straightforward fashion, “He’s the bounty hunter. He’s cool.”

Ajuan Mance

1001 Black Men–#583

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This drawing and the next depict men who were sitting near me during the Heroes/Creators: The Comic Art Creations of Civil Rights Legends panel (see 1001 Black Men–#580). One of the highlights of the panel was the presentation by Andrew Aydin, one of the creators of the March trilogy, a collection of three graphic novels that tell the story of Civil Rights activist and current member of the U.S. House of Representatives, John Lewis.

Ajuan Mance

1001 Black Men–#582

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At Comic-Con San Diego, a number of events are geared toward amateur artists, filmmakers, and writers who are trying to break into the mainstream.

The annual portfolio review is one example of this. Every year comic publishers, movie and TV studios, and video game companies send their editors and recruiters to evaluate the portfolios of aspiring artists and illustrators, all of whom line up early for the opportunity to get feedback from real industry professionals. It’s always interesting to pass through this area of the convention center, just to get peek at some of the amazing drawings that the waiting reviewees are preparing to show.

The portfolio review area also happens to be a very comfortable place to sit down and catch your breath, especially on the last day of the conference, when many of the seats in waiting area are empty. The man in this drawing was waiting a couple seats away from me, thumbing through his portfolio and holding it at an angle that allowed me to steal a glimpse of his work. His sketches included Black, white, Asian and Native American superheroes of all genders, including  women whose proportions were more in keeping with real-life female bodies than has been customary in comic art. I was feeling a bit too shy to ask his name, but I’d really like to see his work again.

Ajuan Mance

1001 Black Men–#581

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Costume Illustrator Phillip Boutte, Jr., San Diego Comic-Con.

This is the second time I’ve had to pleasure of seeing Phillip Boutte on the annual costume illustrators panel. The costume and production designers and illustrators exemplify what’s possible when artists refuse to abandon the idea that their passion can be their life’s work.

Since completing his degree in 2006 (at Cal State University-Long Beach), Boutte has worked as costume illustrator or concept artist on more than 25 major motion pictures.

Ajuan Mance