Category Archives: Art, Black Men, African American, Artist

1001 Black Men #793

1001BlackMen793Web
Alternative Press Expo attendee, Fort Mason, San Francisco, CA.

 

Unfortunately, the patterns that we’ve been seeing recently are consistent: The police don’t show as much care when they are handling incidents that involve young black men and women, and so they do shoot and kill … And then for whatever reason, juries and prosecutor’s offices are much less likely to indict or convict.

–Professor Delores Jones-Brown, Director of the Center on Race, Crime, and Statistics at the John Jay College of Criminal Justice in New York City and a former assistant prosecutor in Monmouth County, New Jersey, from “Exactly How Often Do Police Shoot Unarmed Black Men?” by Jaeah Lee

Posted by Ajuan Mance

1001 Black Men #792

 

1001BlackMen792Web
Alternative Press Expo attendee, Fort Mason, San Francisco, CA.

[Y]ou know what they had in their minds that made them act out and beat a black suspect unwarrentedly? They had fear. They were afraid of black men. I know a lot of white cops who have told me. And I interviewed over 900 police officers in 18 months and they started talking to me. It was almost like a therapy session for them.

They would say things like, “Ms. Rice I’m scared of black men. Black men terrify me. I’m really scared of them. Ms. Rice, you know black men who come out of prison, they’ve got great hulk strength and I’m afraid they’re going to kill me. Ms. Rice, can you teach me how not to be afraid of black men.” I mean these [are] cops who are 6’4″. You know, the cop in Ferguson was 6’4″ talking about he was terrified. But when cops are scared, they kill and they do things that don’t make sense to you and me.

–Interview with Constance Rice, NPR

Posted by Ajuan Mance

 

1001 Black Men #790

1001BlackMen790Web
Alternative Press Expo attendee, Fort Mason, San Francisco, CA.

 

As a nation we seem to have very short memories. Fear of the black man just didn’t start overnight, and it didn’t just happen during the course of our lifetime; like any singularity it has to have a beginning. Its origin has been embedded in this nation’s consciousness since the Nat Turner revolt; a pathological fear that the oppressed will one day rise up and inflict vengeance upon the oppressor.

–M. Gibson, “Fear Black Men (Oscar Grant Open Thread)

1001 Black Men #789

1001BlackMen789Web
Waiting for the bus at the corner of High Street and International Blvd, Oakland.

 

The most important question Ferguson asks isn’t whether cops are good or bad. It isn’t even whether Wilson was afraid “enough” to justify killing. It’s why black boys and men make so many people so profoundly scared. Either there is something irredeemably dangerous in the very DNA of black males justifying the fear — or we’re living a lethal lie.

–Savala Nolan Trepczynski, “Time to Unlearn Fear of Young Black Men

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Ajuan Mance

1001 Black Men #788

1001BlackMen788Web
Filling the tank at the 76 service station, High St. and MacArthur Blvd., Oakland.

 

This is a plea to those officers who are unflinching in the gravest of dangers, whose courage is forged in the crucible of our nation’s worst emergencies, yet who lose all composure when facing the grimace of a Black man. The concept of diversity, like Eric Garner, is large, beautiful, and sometimes intimidating. America will only be America once we learn how to fully appreciate it, not fear it.

–Brandon Hill, “Negrophobia: Michael Brown, Eric Garner, and America’s Fear of Black People

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Ajuan Mance

1001 Black Men #787

1001BlackMen787Web
Waiting for the bus at the corner of High St. and MacArthur Blvd., Oakland.

 

No one will admit to being afraid of black men. There is still a degree of pride in the larger society. Abject fear is an emotional and irrational condition. Those people wanting their own definition of “justice” for Michael Brown are being emotional and irrational.

They should wait for all the facts to come out.

It’s hard for the facts to come out when the other guy always seems to end up dead.

–Solomon Alexander, “Fear of a Black Man: A Fact Not in Evidence

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Ajuan Mance

1001 Black Men #786

1001BlackMen786Web

Sports Chalet, Pleasanton, California.

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Just got back from a wonderful vacation. I was in Kauai with my fabulous partner and several good friends. We had great food, saw great sights, and laughed a whole lot. I also did a lot of drawings; but I didn’t post any new images while I was away.

Frankly, I needed the rest. I’ve been thinking a lot about what it means to live in a society in which the fear of Black men is endemic. What does it mean that the same people I associate with kinship and love, friendship and beauty are experienced as threatening and monstrous by so many others?

It’s overwhelming and enraging and heartbreaking, all at the same time; and yet even those words fall short of the complexity of how I and so many other people of African descent are feeling during this period of protest and mourning. So, I’m turning to the wise words of others. Over the next several posts, I hope the pairing of other people’s words with my own images will convey more than either could on their own.

Ajuan Mance

1001 Black Men #784

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CVS on Fruitvale Ave, Dimond District, Oakland, CA.

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Every time I see a Black man who appears to be in his twenties, I can’t help but wonder what would happen to him if something he did or something he was carrying in his hands (a wallet, a phone, a pair of glasses) caused a police officer to fear for his life. Is it possible that the greatest threat to the safety and survival of an unarmed Black man is a frightened police officer?

Ajuan Mance

1001 Black Men #783

1001BlackMen783Web

“The power of the white world is threatened whenever a black man refuses to accept the white world’s definitions.” –James Baldwin

The power of the white world is equally destabilized whenever a Black writer or artist of any gender refuses to accept the narrow range of Black images that the white world has created.

Until Black people deliberately and consistently choose to privilege in their purchases and other forms of consumption those images of Blackness that people of African descent have created in opposition to white supremacy and in the service of our own aspirations and dreams, we remain complicit in our own marginalization and objectification.

We must vote with our wallets for those African American images that affirm our diversity, our beauty, and our strengths. I have not done enough to support those writers and musicians whose works reflect the way Black folks really live; and I have spent entirely too much of my time and my money indulging in the guilty pleasure of those movies and musical performers whose images reflect not the diversity of our experiences, but rather the narrow range of Black character types on which white supremacy depends.

I need to do better. We all need to do better. We must support those creatives whose vision–expressed in music, art, on the stage, or in print–reflects the Black lives we live, rather than the Black lives the mainstream wants to believe that we live. We must Buy Black Back.

Ajuan Mance