Here’s another image evoking the HBCU marching band tradition. (HBCU stands for Historically Black Colleges and Universities.) This drawing uses the same background image as the previous drawing, but with a different color palette.
Ajuan Mance
Here’s another image from the What Do Brotha’s Do All Day ‘zine, and this image did, in fact, show up in the Alternative Press Expo version. It’s two men I saw laughing outside a barbershop in East Oakland. I used a little artistic license to dress them up in Harlem Renaissance-era (1920s) clothing and hairstyles.
Ajuan Mance
This drawing of two men sunning their toes at Alameda Beach was initially intended to be in my What Do Brothas Do All Day ‘zine, but I ran out of time. I was premiering this ‘zine at the Alternative Press Expo and I only had enough time to complete a portion of the pieces I was going to include.
The great thing about doing your own publishing, though, is that you can create new editions of your work whenever you want. This drawing will be a part of the new and expanded version of What Do Brothas Do All Day, the one that’s available on Etsy and at Art Murmur and the East Bay Zine Fest.
Ajuan Mance
PS: The background image is from a vintage postcard of what the publishers claim is the San Francisco skyline, but it doesn’t really look like San Francisco to me.
Ajuan
Unlike the other drawings in this series, this was inspired by this image from the New York Public Library’s digital collections. To the left of the figure in the coffin, I’ve created a cutaway image of the layers of soil beneath the headstone where he will be buried.
Ajuan Mance
This image from the What Do Brothas Do All Day ‘zine includes an excerpt from “Little Brown Baby,” a poem by Paul Laurence Dunbar. I’ve reprinted the text of the excerpt below.
Ajuan Mance
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—From “Little Brown Baby” by Paul Laurence Dunbar, in Poems of Cabin and Field (1895)
Here’s another image from my What Do Brothas Do All Day ‘zine. The sun and the flower/star shapes in the background are versions of Ananse Ntontan, the spider’s web. This West African Adinkra symbolizes wisdom and the complicated nature of life.
Ajuan Mance
This is the first of a series of drawings I’ve put together in a ‘zine called What Do Brothas Do All Day. The title is a reference to a book by children’s author and illustrator Richard Scarry. His 1968 picture book, What Do People Do All Day, was an introduction to the grown-up world of work and chores and errands. The activities Scarry depicts in his book are really little more than the mundane stuff of everyday life; but to children, this view into the activities, occupations, and locations that shape the daily lives of adults is an absolute revelation! As a child, I was absolutely fascinated by Scarry’s vision of daily life. And just as Scarry’s book responds to the curiosity of children, my ‘zine responds to many grown-ups’ curiosity about the attitudes, activities, minds, and bodies of men of African descent. It’s a curiosity that sometimes looks more like obsession. The next several drawings are taken from the What Do Brothas Do All Day ‘zine. If you’d like a copy of the whole book, you can order one on Etsy or you can drop by my table at Art Murmur Oakland (12/6/2013 at Uptown Body and Fender) or the East Bay Alternative Book and Zinefest (12/7/2013).
Ajuan Mance