1001 Black Men #732

1001BlackMen732Web

 

I met this friendly guy at the checkout counter at the grocery store. He was with a co-worker, and they were buying a few hot bar items to eat during their dinner break. It was late afternoon, and they were on their way to work a late shift at the Southwest Airlines terminal of the Oakland International Airport. It was Memorial Day weekend, a holiday weekend for the company, but they’d been called in because they’d put themselves on the list of employees who were willing to work holidays in exchange for double pay. The man in this drawing explained that he was also willing to work on Christmas, Thanksgiving, New Year’s Eve, and New Year’s Day.

He was friendly and eager to talk about his workplace options and the decisions he’d made. Something about his enthusiasm, his friendly smile, and his willingness to chat with a total stranger made an unforgettable subject for my latest sketchbook post.

Ajuan Mance

1001 Black Men #731

1001BlackMen731Web

 

This tall brother with the peaceful expression is modeling one of the many different varieties of the rather unfortunately-named Mohawk hairstyle. Recently, I’ve seen several people wearing this ‘do, and it strikes me that here, in California, the Mohawk is a seasonal cut. The blood is a little thinner here and people are a little more sensitive to the cold; and so it makes perfect sense that some folks prefer to have more hair than less during the colder months. When summer comes, though, the shaved sides return. The 21st-century Black people’s version of this hairstyle, however, is quite different from the kind I grew up seeing. During my high school and college years (in the 1980s), this haircut was a statement of rebellion, and not the cute or stylish kind either. It was about making the people around you a little uncomfortable.

Today’s African American version is, like so much in today’s Black aesthetic, about being innovative and unexpected, but in ways that is also compelling and attractive. Today’s African American “Mohawk” is little more than a jazzed up version of the ever-popular high top fade. It goes with almost any profession and almost any style of wear, as is clear in this drawing. This guy was wearing a Dickies work shirt and pants and he appeared to be stopping at the grocery on his way home from lunch. His haircut was a wonderful accessory, but it didn’t really communicate the rage or rebellion of the punk rock 1980s.

Ajuan Mance

1001 Black Men #730

1001BlackMen730Web

 

I love those moments when someone is so involved in their own thoughts that they seem to be completely unaware of their surroundings. This guy was standing on a corner behind the Farmer’s Joe’s market on Fruitvale, grimacing and staring out into a generally uninhabited area near the BART tracks. I think he may have been looking for someone; or perhaps he lost his car keys, but really far away from the parking lot.

Ajuan Mance

1001 Black Men #728

1001 Black Men 728Web

The first Tuesday of this month was an election day. I know. Who votes in June, right? My polling place is Canaan Covenant Christian Church on Foothill Blvd in Oakland, California. At Canaan Covenant, all the League of Women Voters volunteers are Black and all of the voters are Black.

There’s something that feels very special about being an African American person voting with other African American people. With all of the efforts to restrict voting rights, going to a polling place run for and by Black voters feels we’re sharing something subversive, exercising a right that some still believe we should not have. Even in this small and unadorned space, on a gritty stretch of the already gritty Foothill Blvd., it’s powerful stuff, this voting thing. Power to the people. Souls to the polls. Black votes matter. Freedom now.

Ajuan Mance

An Online Sketchbook @8-Rock.com