1001 Black Men #726

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I was introduced to this young man at last year’s Alternative Press Expo. He was strolling by my table with Tofu a gifted and wonderfully down-to-earth mixed-media artist working out of the Bay Area. The man in this picture had a camera around his neck, and I recall asking him whether or not he was a photographer. His answer, if memory serves, was unclear. This, in my estimation, probably means he is a photographer, but that he is modest about his talents.

I hope to run into him at the coming year’s APE, to learn more about his involvement in the arts and especially his relationship to photography.

Ajuan Mance

1001 Black Men #724

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This drawing is from a couple weeks ago, before the heat wave and the subsequent cooling. It shows a man I spotted in a bus shelter on my drive to the edge of SOMA. I was in San Francisco to see the exhibit space for a show. The building I was looking for is in the South Park neighborhood, and I got to see the population shift there, firsthand.

It’s been about 10 years since I last drove through that area on a weekday, and it was a lot more lively than I remembered. It was bustling with new (or new-ish) restaurants and shops and galleries, and there were lots and lots of people on the streets. They were going back and forth between the shops and restaurants and the businesses that have come to make this neighborhood their home.

I was witnessing the very phenomenon I’d been reading about and hearing about in the local and national news. I’m not completely certain, but I think I was seeing the aftermath of the gentrification of that area.

I’ve read about and listened many reports on gentrification; but, truth be told, I haven’t spent much time in the areas where it’s gotten the strongest foothold. So, seeing it was kind of exciting, like when you’ve seen a bunch of articles on a famous-but-controversial writer, and then you run into them on the street.

Overall, the South Park neighborhood wasn’t unpleasant. The restaurant where I ate lunch was fun, and the food was pretty good. (It was a restaurant that only sells grilled cheese sandwiches.) The building facades were refurbished with attractive and quirky decor, and the people who dotted the sidewalks seemed excited to be alive and to be with each other. The area was vibrant and full of energy, and if I hadn’t driven through the neighborhood 10 years ago, I wouldn’t have had any idea that South Park had been anything but what I experienced a couple weeks ago.

I suppose that’s one of the issues with the transformation of a neighborhood. When a neighborhood changes, whatever that neighborhood becomes erases any memory of what it might have been (for all but the people who lived there or worked there before).

In the end, neighborhood change is inevitable; and very few of the communities on either side of the Bay bear much resemblance to what they were when they began. As San Francisco, Oakland, and surrounding cities debate the proper place of and responses to gentrification, I find myself wondering whether these conversations are inevitable parts of the never-ending change that takes place in our nation’s cities; or maybe the fluctuations in today’s Bay Area neighborhoods are somehow different than previous shifts.

I also find myself wondering about the role of the area’s not-so-economically-marginalized Black folks and other people of color, especially related to Oakland. What is the role and what are the responsibilities of upwardly-mobile Black people, for example, many of whom flee mixed-class communities the moment their incomes (or their equity) permits. When enough of these departures take place, the former residents leave the more financially vulnerable to face the combined forces of business and the white repatriation of the urban core.

At this point, I have no answers; but I’m starting to feel like my questions sorta kinda amount to answers in and of themselves.

Ajuan Mance

 

 

 

1001 Black Men #721

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The Liza Minelli show at Davies Symphony Hall (March 28, 2014) was even more wonderful than I was expecting. Aside from the simple pleasure of sharing space with a singer and actress whose Cabaret and Liza with a Z are among the finest performances I’ve ever seen, there was also the thrill of seeing someone fully and passionately inhabiting her creativity. Liza can no longer hits all of her notes all of the time, nor does she dance as vivaciously as she did even 10 years ago. And yet, despite these limitations, Liza Minelli performs for her audience with the passion of a person who is truly at home on the stage.

The man in this drawing was one of less than five Black people I noticed in the audience. There may well have been as many as 10 of us. I did not, after all, get a good look at the crowd in the balcony. In any event, though, he and I passed each other in the lobby and nodded at each other as only Black folks can.

Ajuan Mance

 

1001 Black Men #719

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My second sketch in that meeting was of a guy I remember from a recent trip to–that’s right–the Zocalo Coffeehouse in San Leandro. After changing owners and then closing for remodeling, it’s baaaaack! I’ve missed Zocalo and, at the risk of sounding overly sentimental, going back to my favorite cafe was like seeing an old friend after a long period apart.

Welcome back, Zocalo. It wasn’t the same without you.

Ajuan Mance

1001 Black Men #717

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The Actual Cafe, San Pablo Ave., Oakland CA

When it comes to discussions of gentrification and Oakland, I generally do more listening than speaking. Oakland is a city in the midst of great flux, but it has been since before I arrived (15 years ago). Unlike some areas of the country, Oakland seems, at least at this point, to be able to hold both the upward mobility of some of its newest residents and the class and ethnic diversity to which it has long been a home. Unlike many parts of the country, a number of Oakland’s so-called gentrifiers are Black, Latino, Asian, and Native American; and there are plenty of people of each of those ethnicities represented on both sides of the economic fence.

San Pablo Ave. is paradigmatic of this phenomenon. Blue Bird Market (see drawing #716) is one of a number of convenience stores serving the low-income renters living south of 40th, and these businesses have a large Black customer base. The again, Black folks also patronize in significant numbers the Arizemendi Bakery, the Actual Cafe, and other businesses that many have identified as harbingers of a newer, more affluent Oakland.

The class diversity of our Black and brown communities complicates the traditional politics of resistance to gentrification in that it prevents us from looking at this solely as a Black and Brown vs. white issue. It doesn’t completely neutralize the resistance to gentrification. (In fact, it doesn’t even come close.) Still, here, as in D.C. and other cities that attract young Black professionals, the questions and solutions to the influx of wealth are murkier and demand a little more thought than in places where the racial lines are drawn more clearly.

Ajuan Mance

An Online Sketchbook @8-Rock.com